Introduction
The six-string bass might be a rarity, but it has captured the imagination of many musicians and music enthusiasts. Unlike the more common four- or five-string basses, the six-string bass introduces an additional low E-string, providing a richer and more diverse tonal palette. While it’s not a widespread choice, it has been used effectively by some of the most innovative and influential bassists in music history. One such pioneer is Jack Bruce, best known for his work in the legendary 1960s supergroup Cream and for playing a Fender Bass VI. This article explores the significance of two iconic bass musicians who have embraced the six-string bass.
The Fender Bass VI: An Innovative Creation
The Fender Bass VI, introduced in 1961, was a groundbreaking instrument. It was the first and only bass marketed by Fender as a "Bass Guitar" rather than an "Electric Bass." This nomenclature highlights the revolutionary nature of the instrument. The Bass VI was designed to address the desire for a bass sound that could more closely replicate the rich tones of an upright bass, particularly in the context of recordings and live performances.
The design philosophy behind the Bass VI was rooted in practicality and innovation. Its design was inspired by the success of the Danelectro 6-string bass, which had been a popular choice for rhythm section duties, especially in cases where a percussive, "tic-tac" sound was needed. Unlike the Danelectro, which had a more compact design, the Fender Bass VI was a more robust instrument. It featured a full-scale body, enabling it to produce a fuller, more resonant sound. Although the original Fender Bass VI was tuned EADGBE, an octave below a standard guitar, it wasn't until the 1970s that basses with a low B string became more common.
Jack Bruce, a pivotal figure in the history of rock music, was one of the first and most prominent artists to adopt the Fender Bass VI. His use of the instrument in Cream during the early 1960s was a testament to its unique capabilities. Bruce's performances on this bass, often with its paint job reflecting the psychedelic ethos of the era, showcased its finesse and versatility. Bruce's playing on the Fender Bass VI was a precursor to the rich, multifaceted bass lines that would characterize his later work with Cream and beyond.
Jack Bruce's Journey with the Fender Bass VI
Despite its innovative design, the Fender Bass VI proved to be a step too far for some musicians. Jack Bruce soon transitioned to a more practical instrument, the Gibson EB-3 bass. The EB-3, a short-scale model with four strings, offered a beefier sound and was more suited to live performances. Bruce's move to the EB-3 reflected the evolving demands of his musical style and the band's dynamics. The EB-3 became the iconic instrument that he is best known for, featuring on many of Cream's classic tracks and solidifying his legacy as a bassist.
The Legacy of 6-String Bass in Modern Music
While the Fender Bass VI and Jack Bruce's pioneering use of the six-string bass are significant moments in bass history, the use of this instrument continues to expand. In contemporary music, the 6-string bass has found a new home among bassists who embrace its unique qualities. One such artist is Jon ().scanString(content);tucci, the bassist for the Chick Corea Electric Band. Pat Greece recommends the six-string bass for bass soloists, citing the rich harmonic complexity it offers. His work with the Chick Corea Electric Band showcases the versatility of the 6-string bass in a modern context.
Conclusion
The six-string bass, despite its rarity, has left an indelible mark on music history. Jack Bruce's pioneering use of the Fender Bass VI with Cream and his subsequent adaptability to the Gibson EB-3 demonstrates the profound impact that innovative bass sounds can have on a musician's career and on the broader landscape of rock music. As the world of music continues to evolve, the 6-string bass remains a tool for those seeking to explore new sonic possibilities and push the boundaries of traditional bass instruments.